在(⛔)社会主(🐆)义道路上，中国公路的(de )发展和人民(mín )命运紧密相(xiàng )连(🙇)的。《大路(🏋)朝天》以(👓)四川公(😮)路建(📥)设(🕉)为(wé(😻)i )切口，以(🥩)成(chéng )雅(🔅)高速、雅(yǎ )西高速、雅(yǎ )康高速建设为题材，通过讲(🗿)述祖孙(🖍)三代(dà(🤣)i )路桥工(🔃)人伴(🤭)(bàn )随改(🤺)革开放(🕌)(fàng )40年经(📕)历的命(mìng )运和情感故事，折射出时代发展与变(🔪)迁(qiān )。 Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry. 主(⏭)人公李(🤕)(lǐ )解拿(🎅)自己的(⛸)(de )传家(😏)龙坠向(💰)女友小(🧢)朵求婚，却被倒卖古玩的安森盯(dīng )上。几次偷(tōu )抢未果(💮)后，安森(👳)绑架李(🕦)解女友(🕖)，并威(🥈)胁(🚚)李解(🕖)要交出(💯)(chū )龙坠(👌)，李解(jiě )智斗坏人抱(bào )得美人归。 本故事讲述的是上世(😨)纪90年代(📬)末发生(🛀)在陕(shǎ(🐽)n )西关(🥂)中农村(🌿)(cūn )的童(🚇)年故事(🎑)(shì )。在以成绩(jì )高低作为评判学生好坏的环境(🎤)中，小学(🏓)(xué )生巴(🔳)王超过(🛫)(guò )在老(⛸)师与(👿)家(jiā )长(🌇)的眼中(😤)是那种不学无术的“渣滓”。得不到家长(zhǎng )和老师认同(tó(📻)ng )的巴王(🐰)超过(guò(😺) )，将田野(😩)里一棵(🐒)可以(🔏)栖息的(💦)大树变(❔)成了(le )自己的“好(hǎo )地方”，并(bìng )将所有“好(hǎo )玩”的东西都藏(🌬)在了那(🔳)棵大树(🔦)的上面(🌵)。孩子(💱)的(👤)天性(🔭)(xìng )，让巴(⏲)王超(chā(🏘)o )过与成人世(shì )界充满了斗争，直到有一天，他的(🔹)处境(jì(🎢)ng )因为前(🧦)来支(zhī(🥁) )教的粉(🕒)提老(👊)(lǎo )师而(🚭)改变了(🌱)(le )！粉提老师让他负责班级里的图书管理(lǐ )员，同时他(tā(🏑) )也与女(🔰)老师(shī(😡) )成了好(🙅)朋友，他(🐀)的“好(💁)地方”也(🗑)成了女(➿)(nǚ )老师的“好(hǎo )地方”。然(rán )而好景不长(zhǎng )，他在粉提老师(🚀)面前特(👟)殊的待(😜)遇，又因(🌍)(yīn )为(🍠)粉(👂)提老(☕)师(shī )的(🕖)男朋友(⬇)的(de )到来而改变(biàn )了…… 30岁的屌丝青年李星辰遭遇感(❤)情伤(shā(🗞)ng )害后整(💕)日花(huā(🍠) )天酒(🎒)地，靠(kà(😀)o )着自己(🐗)口才(cái )和坑蒙拐骗开了一间星座的咨询室，生(shēng )意一(😗)般，但(dà(😜)n )自由自(🤘)在无(wú(👬) )拘无束(⛲)的生(🆚)活着。 Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.