Stephen Sondheim’s legendary musical is staged for the first time at the National Theatre and broadcast live to cinemas. 法国《电(diàn )影(🖊)(yǐng )手册(cè )》2018年度期(🍃)待榜单重点推荐(🤽)影片之一(yī )，影片(📄)(piàn )采(cǎi )用16mm胶片拍(🧒)摄，具有极致的迷(🗿)幻色(sè )彩(cǎi )，影(yǐ(🈲)ng )像(xià(📴)ng )超级大胆，故(💣)事讲(🔔)述5个热爱艺(🤢)术(shù(🚐) )的(de )“野(yě )小(xiǎo )子”的(👙)罪恶之行，让人想(🍷)到(dào )库布(bù )里(lǐ(🥋) )克的《发条橙》，而这(🚗)5位“野小子(zǐ )”则(zé(🗡) )正(zhèng )由5位女演员(🙆)“扮演”，涉及到了不(🏬)(bú )少(🅰)情(qíng )色(sè )元(😜)素，探(🈺)讨了性别结构。 明(🧘)朝中(zhōng )叶(yè )，皇(huá(🔰)ng )帝(dì )怒查军粮亏(🍿)空，钦定为空印案(🌋)。三(sān )法司(sī )衙(yá(👮) )（俗称六扇门）(🚠)奉命追查，以季(jì(🧔) )同(tó(🆕)ng )归为(wéi )首(shǒ(💥)u )的捕(⚾)头反被陷害(🤕)，无奈(🦁)之际隐姓(xìng )埋(má(👕)i )名继(jì )续(xù )追查(⬜)。案件明朗，东厂提(📵)督(dū )与国(guó )相(xià(🐙)ng )先后叛乱，危难之(🚠)际六扇门联合锦(✈)(jǐn )衣卫(wèi )挺(tǐng )身(🍕)而出(🚨)。 伊格内修是(🏇)中产(㊗)阶级，他(tā )经营(yí(⛴)ng )着(zhe )一家自己餐厅(⛴)，并且铁腕管理。因(💸)(yīn )此与(yǔ )员(yuán )工(👡)不断产生摩擦，尤(🎺)其是和厨师(shī )。一(😮)次(cì )，员工没打算(🧐)联手(🙋)设局反抗他(🐋)，然(rá(📣)n )而(ér )事情(qí(📰)ng )却(què(🚝) )并没有按照计划(🐚)中进行... 故事发生(🤠)(shēng )在(zài )清莱(lái )的(🕍)(de )一个小城镇，在监(🎥)狱一年一(yī )度的(〽)(de )家(jiā )庭日那天，阿(🔯)宁带着她十岁的(✖)孩子(🌼)(zǐ )小恒(héng )，去(🕘)监狱(🐩)看望他的爸爸，因(🌕)为阿宁收(shōu )到了(🌛)(le )他(tā )丈夫的一个(🥈)好消息...... 【家在蘭(👨)若寺(sì )】華語(yǔ(🐹) )首(shǒu )部VR電影！蔡明(✴)亮導演，李康生主(🍛)(zhǔ )演(🎐)(yǎn )。 该(gāi )片(pià(🍩)n )讲述(🐧)了2001年美国“911”事(🤚)件中(🔱)，被困(kùn )世(shì )贸中(♑)(zhōng )心(xīn )电梯里的(🐩)人，求生的故事。 人(🕷)據(jù )說(shuō )一生(shē(📂)ng )最(zuì )多有十萬條(🛴)頭髮，每一條頭(tó(🌮)u )髮質(zhì )感(gǎn )長度(🏔)有異(🎾)，但都承載著(👅)煩惱(🍍)的回憶(yì )。「時(shí(🍦) )光理髮」剪掉的(🏰)不只是頭髮，還有(🕴)(yǒu )街坊(fāng )不(bú )快(🉑)的記憶。行將式微(📃)的舊式廣東理(lǐ(🧣) )髮店(diàn )店(diàn )主海(🛄)泉叔指望兒子長(⛅)發繼(🦁)承衣缽(bō )，不(📆)過(guò(💫) )兒(ér )子卻更想當(🎽)文青，希望透過文(🗒)字(zì )和(hé )音樂(lè(🈚) )改(gǎi )變世界。一次(🌱)意外，長發被迫代(🤼)(dài )父(fù )親落(luò )場(🏝)(chǎng )當師傅，透過理(🌪)髮為(🙂)街坊排憂解(🗾)(jiě )難(🆖)(nán )，更與(yǔ )離家出(🔝)走少女相遇相知(🧑)，重(chóng )新反(fǎn )思(sī(🔜) )自己的前路。傳統(🛢)理髮店交織舊區(📁)(qū )鄰里(lǐ )人(rén )情(🌨)，《點五步》男角岑珈(🕯)其化身理(lǐ )髮店(🦊)(diàn )傳(🏒)(chuán )人，演出清(🥚)新自(✉)然。 Six therapy patients are brought together at a secluded cabin to confront their strangest fears. But these fears won't just hurt them...they will kill them. When a photographer encounters the practice of Vodou cartography while on assignment he becomes enchanted with the visceral artwork and ceremony witnessed. But the experience embeds itself in his psyche and his interest in vodou becomes more than an inspiration, more than a passion, more than an addiction. Through his own artwork, he creates his own destiny, a path to demonization. A complete transformation occurs physically, mentally and artistically and results in the conjuring of entities never imagined, exploring the world between the darkness and blackness.