一对情侣(lǚ )外出度假，入住豪宅，然而(ér )，当他(tā )们半(bàn )夜醒来(lá(🤮)i )，却(què )发现自己躺在一个处处充斥着恐怖氛围的荒弃诡宅中……他们(men )意欲逃(táo )离，然而却(què )始终(zhōng )逃不出去，努力奔逃(💓)，但逃(táo )往的地(dì )点却(què )还是这(zhè )所诡(guǐ )异的荒宅……更恐怖的是，当他们再度回到这座(🈂)诡宅，却发现(xiàn )，时间跟他(tā )们走出(chū )去的(de )时间，一样(yàng )…… Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing. Nina is a mother a little bit crazy, Baptiste a son a little too wise. Angry since a long time they are found for the adventure of their lives. During a trip unlikely, funny and moving, they will catch up the lost time. 导演瑞(ruì )泽在家中被(bèi )人残(cá(🐵)n )忍杀害(hài )，恰(qià )好在远(yuǎn )方目(mù )击杀人现场的段爷前去救援，却被随后赶到的警察赵正浩当作(zuò )杀人犯(fàn )，经(jīng )过初步(🕳)(bù )排查(chá )，警方确定(dìng )此案应属熟(shú )人作(zuò )案，在(zài )被害(hài )人瑞泽(zé )的社(shè )会关系调查中(🍟)，赵正浩发现瑞泽于死前数日曾与几位大学同学(xué )在某桌(zhuō )游吧(ba )聚会过(guò )，此(cǐ )次聚会中(💨)竟(jìng )有自己的妻(qī )子——法医(yī )书萱(xuān )在场。却正(zhèng )撞上偷(tōu )偷摸(mō )摸前来找线索的段爷，两人做起了临时探案搭档(🤨)。 Au Ve siècle, la ville d’Aquilée, près de Rome, est mise à sac par le terrible Attila et ses Huns. Odabella, fille du chef de la cité, a échappé au massacre de toute sa famille et tient tête au barbare. Impressionné par sa beauté et son courage, celui-ci lui demande sa main. Mais la jeune femme n’a qu’un désir : assouvir sa vengeance. Pendant ce temps, son amoureux Foresto parvient avec d'autres survivants de la ville sur la lagune de la future Venise… 导演瑞泽在(zài )家中被人残(cán )忍杀(shā )害，恰(qià )好在(zài )远(✉)方目(mù )击杀(shā )人现场的段爷前去救援，却被随后赶到的警察赵正浩当作杀人(rén )犯，经(jīng )过(❤)初(chū )步排查(chá )，警(jǐng )方确定此案(àn )应属熟人作(zuò )案，在被害(hài )人瑞(ruì )泽的社(shè )会关(guān )系调查(chá )中，赵正浩发现瑞泽于死(👺)前数日曾与几位大学同学在某桌游吧聚会(huì )过，此(cǐ )次聚(jù )会中竟(jìng )有自(zì )己的妻子—(🎅)—法医书萱(xuān )在场(chǎng )。却正(zhèng )撞上(shàng )偷偷摸(mō )摸前(qián )来找线索的段爷，两人做起了临时探(📔)案搭档。 在父亲去世后，亚伦回(huí )到家(jiā )中帮助(zhù )他悲(bēi )痛欲绝的母(mǔ )亲，并直面(miàn )他的过去，而在(zài )处理后(hòu )事的(de )过程(🚊)中(zhōng )，他(tā )发现了一个神秘的骨灰龛，而这背后还隐藏着更加可怕的东西(xī )..... 一对情(qíng )侣外(🎻)(wài )出度假(jiǎ )，入(rù )住豪宅，然(rán )而，当他们(men )半夜(yè )醒来，却发(fā )现自己(jǐ )躺在(zài )一个处处充斥(🦕)着恐怖氛围的荒弃诡宅中……他们意欲逃离，然(rán )而却始(shǐ )终逃(táo )不出去(qù )，努(nǔ )力奔逃，但(dàn )逃往的地点(diǎn )却还是这(🚽)所(suǒ )诡异(yì )的荒宅(zhái )……更恐怖的是(shì )，当他们再度回到这座诡宅，却发现，时间跟他们走(📆)出去的时(shí )间，一(yī )样…… UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare. During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.