介绍：这(zhè )部(🚺)电影的(🤡)故事背景让(😬)人不禁回忆起《逃出绝命镇》。一位(🔹)黑人男(🔐)性（杰(🌎)森·米切尔(🏢)饰(shì )）在周末(mò )的(🎑)时候，因为觉(🏁)得周围(🎤)只有白(⛑)人朋友所以(🈳)觉得十分紧张。当然(🏒)，这部作品与(📚)(yǔ )乔丹(🌗)·皮(pí(⛱) )尔去年那(nà(👫) )部符合(🐶)大众口味的(📯)《逃出绝命镇(📎)》不同。智(🔆)利导演(🌍)塞巴斯蒂安·席尔(🕓)瓦是一(yī )个古怪的(de )人，他(🐗)的(de )电影(💖)如《女仆(🥛)》、《水晶(👷)仙女》、《肮脏(➗)的婴儿》都倾向于剑走偏锋，故事(🔮)(shì )开始(🧛)会有(yǒ(🙌)u )点怪异，而之(😀)后则会变得更加怪(🛹)异。这种风格(💐)对于《周(♍)末生日(🌪)游》意味着什(🛂)么呢？还(hái )不知道(💀)。但我们非(fē(🐈)i )常期待(🖌)这种不(💱)确定性，况且(🔨)演员阵(💩)容中还有克(⚽)里斯托弗·(🤨)阿伯特(⬇)、迦勒(😽)兰德(dé )里·琼斯(sī(🙇) ),迈克尔·塞拉和安·道(🥓)德。
不管(🎳)这导演(🉐)嗑了什(🛠)么很纯的，全(💞)部都要给你来一点！在澳(ào )洲这(📋)座曾(cé(🏆)ng )经被称(🍘)作(zuò )「无主(👹)之地」（Terra Nullius）的大陆(♉)，历史以前所(💡)未见的(👬)观点重(🤒)新诠释：当(🍌)《疯狂麦斯(sī )》末日场(🥏)(chǎng )景成为难(🎡)(nán )民拘(🗡)留地，食(🏎)人羊成为反(🎯)殖民叛(🛥)乱份子，《沙漠(🔻)妖姬》与电视(🈴)剧《请喜(🏃)欢我(wǒ(🎹) )》有了跨(kuà )时空的酷(🌁)(kù )儿对话…(🕗)…本片以近(💀)似DJ取样(💟)混音之(㊗)拼贴手(👷)法，打开了虚(📩)构与史实间的神秘黑(hēi )洞，大量(🐂)(liàng )援引(🍷)电影(yǐ(🔭)ng )名场景与历(💫)史典故，穿越时空与(🌄)各种语境，重(🏮)写、改(🎂)写、乱(🚋)写，全面毁坏(🏦)观(guān )众的三观(guān )！这(🔵)是一(yī )部政(🎟)治复仇(🧚)预言，杂(➡)揉讽刺喜剧(😌)、生态(⚫)恐怖与公路(😹)电影类型，写(🥀)下澳洲(🚀)国族(zú(📖) )神话从未(wèi )被纪录(🤥)的(de )史诗篇章(📥)。
好莱坞一代(🗻)人物追(🍳)寻难以(🍔)捉摸的GT 390
Three strangers from different backgrounds find themselves trapped inside a confined mansion and as they run low on resources they soon figure out the only way to escape is for one to kill the other two.
Norm, the newly crowned polar bear king of the arctic, must save New York City and his home. But Norm goes from hero to villain when he's framed for a crime he didn't commit. He must work with his friends to clear his good name and help save his kingdom in a winner-take-all hockey match
Au Ve siècle, la ville d’Aquilée, près de Rome, est mise à(〽) sac par le terrible Attila et ses Huns. Odabella, fille du chef de la cité, a échappé au massacre de toute sa famille et tient tête au barbare. Impressionné par sa beauté et son courage, celui-ci lui demande sa main. Mais la jeune femme n’a qu’un désir : assouvir sa vengeance. Pendant ce temps, son amoureux Foresto parvient avec d'autres survivants de la ville sur la lagune de la future Venise…
In a story told from two different perspectives, Will Bird recounts the events which led to him being in a coma, while his niece Annie recounts her attempt to help to revive him from his coma.
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
一对情(👣)(qíng )侣外(🥂)出度(dù(🏳) )假，入住豪宅(🚖)，然而，当他们半夜醒来，却发现自(⬅)己躺在(🚯)一个处(🕳)处充斥着恐(💼)(kǒng )怖氛围的(de )荒弃诡(🚬)宅(zhái )中……(🕉)他们意(🛁)欲逃离(➕)，然而却始终(🔸)逃不出去，努力奔逃(🐨)，但逃往的地(⬛)点却还(📆)(hái )是这(🕤)所诡(guǐ )异的荒宅(zhá(🔤)i )……更恐怖(🧥)的是，当他们(🎻)再度回(✳)到这座(🔇)诡宅，却发现，时间跟(🌼)他们走出去的(de )时间，一(yī )样……(🐡)
Jean Barreau leads a spiritual commune on the countryside and promises his followers a chance for a second life. When their doubles arrive at the house, the followers learn that Jean meant his promise of a second life quite literally.
这(zhè )部(🚺)电影的(🤡)故事背景让(😬)人不禁回忆起《逃出绝命镇》。一位(🔹)黑人男(🔐)性（杰(🌎)森·米切尔(🏢)饰(shì )）在周末(mò )的(🎑)时候，因为觉(🏁)得周围(🎤)只有白(⛑)人朋友所以(🈳)觉得十分紧张。当然(🏒)，这部作品与(📚)(yǔ )乔丹(🌗)·皮(pí(⛱) )尔去年那(nà(👫) )部符合(🐶)大众口味的(📯)《逃出绝命镇(📎)》不同。智(🔆)利导演(🌍)塞巴斯蒂安·席尔(🕓)瓦是一(yī )个古怪的(de )人，他(🐗)的(de )电影(💖)如《女仆(🥛)》、《水晶(👷)仙女》、《肮脏(➗)的婴儿》都倾向于剑走偏锋，故事(🔮)(shì )开始(🧛)会有(yǒ(🙌)u )点怪异，而之(😀)后则会变得更加怪(🛹)异。这种风格(💐)对于《周(♍)末生日(🌪)游》意味着什(🛂)么呢？还(hái )不知道(💀)。但我们非(fē(🐈)i )常期待(🖌)这种不(💱)确定性，况且(🔨)演员阵(💩)容中还有克(⚽)里斯托弗·(🤨)阿伯特(⬇)、迦勒(😽)兰德(dé )里·琼斯(sī(🙇) ),迈克尔·塞拉和安·道(🥓)德。
不管(🎳)这导演(🉐)嗑了什(🛠)么很纯的，全(💞)部都要给你来一点！在澳(ào )洲这(📋)座曾(cé(🏆)ng )经被称(🍘)作(zuò )「无主(👹)之地」（Terra Nullius）的大陆(♉)，历史以前所(💡)未见的(👬)观点重(🤒)新诠释：当(🍌)《疯狂麦斯(sī )》末日场(🥏)(chǎng )景成为难(🎡)(nán )民拘(🗡)留地，食(🏎)人羊成为反(🎯)殖民叛(🛥)乱份子，《沙漠(🔻)妖姬》与电视(🈴)剧《请喜(🏃)欢我(wǒ(🎹) )》有了跨(kuà )时空的酷(🌁)(kù )儿对话…(🕗)…本片以近(💀)似DJ取样(💟)混音之(㊗)拼贴手(👷)法，打开了虚(📩)构与史实间的神秘黑(hēi )洞，大量(🐂)(liàng )援引(🍷)电影(yǐ(🔭)ng )名场景与历(💫)史典故，穿越时空与(🌄)各种语境，重(🏮)写、改(🎂)写、乱(🚋)写，全面毁坏(🏦)观(guān )众的三观(guān )！这(🔵)是一(yī )部政(🎟)治复仇(🧚)预言，杂(➡)揉讽刺喜剧(😌)、生态(⚫)恐怖与公路(😹)电影类型，写(🥀)下澳洲(🚀)国族(zú(📖) )神话从未(wèi )被纪录(🤥)的(de )史诗篇章(📥)。
好莱坞一代(🗻)人物追(🍳)寻难以(🍔)捉摸的GT 390
Three strangers from different backgrounds find themselves trapped inside a confined mansion and as they run low on resources they soon figure out the only way to escape is for one to kill the other two.
Norm, the newly crowned polar bear king of the arctic, must save New York City and his home. But Norm goes from hero to villain when he's framed for a crime he didn't commit. He must work with his friends to clear his good name and help save his kingdom in a winner-take-all hockey match
Au Ve siècle, la ville d’Aquilée, près de Rome, est mise à(〽) sac par le terrible Attila et ses Huns. Odabella, fille du chef de la cité, a échappé au massacre de toute sa famille et tient tête au barbare. Impressionné par sa beauté et son courage, celui-ci lui demande sa main. Mais la jeune femme n’a qu’un désir : assouvir sa vengeance. Pendant ce temps, son amoureux Foresto parvient avec d'autres survivants de la ville sur la lagune de la future Venise…
In a story told from two different perspectives, Will Bird recounts the events which led to him being in a coma, while his niece Annie recounts her attempt to help to revive him from his coma.
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
一对情(👣)(qíng )侣外(🥂)出度(dù(🏳) )假，入住豪宅(🚖)，然而，当他们半夜醒来，却发现自(⬅)己躺在(🚯)一个处(🕳)处充斥着恐(💼)(kǒng )怖氛围的(de )荒弃诡(🚬)宅(zhái )中……(🕉)他们意(🛁)欲逃离(➕)，然而却始终(🔸)逃不出去，努力奔逃(🐨)，但逃往的地(⬛)点却还(📆)(hái )是这(🕤)所诡(guǐ )异的荒宅(zhá(🔤)i )……更恐怖(🧥)的是，当他们(🎻)再度回(✳)到这座(🔇)诡宅，却发现，时间跟(🌼)他们走出去的(de )时间，一(yī )样……(🐡)
Jean Barreau leads a spiritual commune on the countryside and promises his followers a chance for a second life. When their doubles arrive at the house, the followers learn that Jean meant his promise of a second life quite literally.
