该片改编自(😜)脱北(běi )女性(xìng )的(🎽)真实故事，讲述的(👉)是抛(pāo )开家(jiā )人(🈚)，逃(táo )往韩国的母(👞)亲与(🛍)憎(zēng )恨自(zì(👓) )己的(🍫)儿(ér )子在16年后重(💈)逢的故(gù )事。 深(shē(⛓)n )圳记(jì )者周安娜(🐛)追随爱情(qíng )来到(🌠)新(xīn )疆，投身“一带(🍎)一路(🈂)”事业中(zhōng )，她(🤰)(tā )的(👠)未婚夫李明(🔏)旭作(🏩)为国企(qǐ )油(🥎)田(tiá(🤣)n )高管固(gù )守(👭)旧观(🌋)念，瞧不起(qǐ(🐘) )提供(🔳)外(wài )包服(fú )务的(😹)民营企业家杜(dù(🗯) )亚新，与周(zhōu )安娜(👻)产生分歧。而(ér )卷(🥩)入这(zhè )场纷(fēn )争(🏭)的周安娜最后发(⛸)现自(😊)己(jǐ )的爱(à(🕓)i )情也(⬇)陷入两难选择。 Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world –(🧦) Eastern or Western – they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages. A detective and his partner tries to solve a murder case whilst finding themselves stuck in a 1940s, film-noir world. 被誉(yù )为“二(è(🕍)r )十一世纪大师舞(🎗)作(zuò )”的阿(ā )库·(🐥)汉姆版《吉赛尔》，由(🎤)英(yī(🎯)ng )国国(guó )家芭(😎)蕾舞(🎓)团首演于2016年(🧣)。演(yǎ(🛶)n )出收(shōu )获了(🔡)媒体(♌)和评论的一(🔕)致认(🌑)(rèn )可，《独立(lì(👥) )报》、(🍅)《每日电讯(xùn )报》和(🙅)(hé )《舞(wǔ )台报》五星(💁)好评，《泰晤(wù )士报(🤑)(bào )》和《卫报》也给(gě(💮)i )出四星(xīng )推荐(jià(😆)n )。作品拿下了当年(🏡)的奥(🎿)利(lì )弗奖(jiǎ(🏥)ng )杰出(💼)成就奖，阿库·汉(🙀)姆(mǔ )也凭(píng )此获(👷)得(dé )了英国国家(🌺)舞蹈奖(jiǎng )最佳编(🥣)(biān )舞奖(jiǎng )。被誉为(🎷)“二十(🐡)一(yī )世纪大(🌷)(dà )师(🌇)舞(wǔ )作”的阿(🎼)库·(🐓)汉姆版《吉(jí(🎒) )赛尔(🥦)(ěr )》，由英国国(📭)家芭(🔲)蕾舞团(tuán )首(🐞)演(yǎ(🎹)n )于2016年。演出收获了(🤾)媒体和(hé )评论的(🚧)(de )一致(zhì )认可，《独立(💣)报》、《每(měi )日电(dià(📭)n )讯报》和《舞台报(bà(🥖)o )》五星(xīng )好评(píng )，《泰(🦀)晤士(🛺)报》和《卫报(bà(🙆)o )》也(yě(🏪) )给出四星推荐。作(👏)品拿下(xià )了当(dā(💋)ng )年的奥(ào )利弗奖(🥋)杰出成就奖(jiǎng )，阿(🖼)库(kù )·汉(hàn )姆也(🎺)凭此(⏱)获得了英(yī(🔜)ng )国国(🚪)家(jiā )舞蹈(dǎ(🐪)o )奖最(🍬)佳编舞奖。 不(🐄)管这(🍏)导(dǎo )演嗑(kē(🔋) )了什(🤳)么很纯的，全(🌱)部都(👖)要(yào )给你(nǐ )来一(👿)点(diǎn )！在澳洲这座(🔽)曾经(jīng )被称作「(💛)无(wú )主之地」（(✍)Terra Nullius）的大(dà )陆，历(lì(🐫) )史以(yǐ )前所未见(🙁)的观(🌷)点重(chóng )新诠释(shì(🏪) )：当(dāng )《疯狂麦斯(🏒)》末日场景成(chéng )为(🎥)难(nán )民拘留地，食(🌩)人羊成为反(fǎn )殖(👍)民(mín )叛乱份(fèn )子(🐇)，《沙漠(💐)妖姬》与电视(📘)(shì )剧(🎋)《请喜欢我》有(🤝)了跨(👀)(kuà )时空的(de )酷(🕜)儿(é(⬛)r )对话……本(😨)片以(🌠)近似DJ取样(yà(🌂)ng )混音(🀄)(yīn )之拼贴手法，打(🐝)开了虚构(gòu )与史(🐞)(shǐ )实间的(de )神秘黑(🤮)洞，大量援(yuán )引电(🕵)影名场(chǎng )景与历(📪)史典故，穿(chuān )越时(🌶)空(kō(🔪)ng )与各(gè )种语境，重(⚫)写、改(gǎi )写、乱(🥕)(luàn )写，全面毁坏观(🍥)众的三观！这(zhè )是(🎌)一(yī )部政治复仇(🌉)预言，杂揉讽(fěng )刺(⚪)喜(xǐ(⏹) )剧、生(shēng )态(🌧)恐怖(⚽)与公路电影(🔀)(yǐng )类(🐟)型，写下(xià )澳(😼)洲国(🚗)族神话从未(🍶)(wèi )被(🥫)纪录(lù )的史(🔒)(shǐ )诗(🍝)篇章。