- 妈妈再爱我一次 电影第21-51集完结
- 主演:Chanel
- 类型:短剧
- 导演:麦扣陈
- 地区:中国大陆
- 年份:2025
- 语言:普通话
介绍:注目(mù )のミス(🌷)テリー作家・大(🧢)山(🦏)誠(🕊)(chéng )一郎原作「(🕚)赤(🏁)(chì )い博物館」の(🐇)ド(🐳)ラマ化第2弾(dàn )。松下由樹主(zhǔ )演で(🔕)犯(🌪)罪資料(liào )館緋色(🗝)冴子シリーズ『(🐈)赤(💽)い(🛃)博物館(guǎn )2』を放送する。
洛朗(Laurent)家(jiā(⌛) )是(🍧)一(yī )个富裕的(de )上层(céng )中产阶级(jí(⏹) )家(🏇)庭(🌿)(tíng )。80多岁的(de )老人(🚄)(ré(😊)n )乔治·洛(luò )朗(George Laurent)逐(㊙)(zhú(🏵) )渐陷入老年痴(chī )呆。他和两个(gè )已(📌)婚(🐸)的儿女托(tuō )马斯(🔞)(Thomas)和安妮(Anne)一(yī )起,正(🏙)不(💓)自(🔤)在(zài )地分享他(💘)在(🚞)加(jiā )莱(Calais)富丽堂皇(🦉)的(⚪)(de )庄园。离异而(ér )冷漠的安妮,不得不(🍛)承(🎦)受因(yīn )儿子皮埃(🤛)尔(Pierre)的(de )失职而导致(⭐)的(🔐)(de )灾(🦂)难性工作场(chǎ(🐸)ng )所事故的影响。与此(🌉)(cǐ(🐐) )同时,托马斯(sī )的前妻因(yīn )一场(chǎ(🌕)ng )神(👒)秘(🎮)的中(zhōng )毒而(é(🚙)r )被(🐯)紧急送(sòng )进医(yī(🐖) )院(🕹),导致(zhì )他13岁(suì )的郁郁寡(guǎ )欢的(de )女(🚹)儿(🥗)艾芙(Ève)与(yǔ )父亲(🐛)和他的新(xīn )婚妻(😧)子(🔏)安(🖇)娜伊(yī )思(Anais)生活(😝)在(🎴)一起(qǐ )。毫无疑问(💽),在(✔)这个家庭中(zhōng ),每个人都有(yǒu )不可(🎠)告(🤽)人的秘(mì )密,而随(💅)着洛(luò )朗家的命(🍆)运(📎)与(🦐)(yǔ )持续而不光(😪)彩(cǎi )的欲望交织在(🔏)(zà(🚎)i )一起,一种特(tè )殊而又令人不安的(💩)联(🔱)(lián )盟就会形成。但(🥇)最(👼)终,有些(xiē )更大的(📙)秘(🆕)(mì )密即(jí )将揭晓……
此(cǐ )片以在(💈)民(⛲)(mín )间广(guǎng )为流传的民国(guó )“鬼新娘(🚽)”故(🍄)(gù(🕟) )事为背景,讲(jiǎ(🧚)ng )述(🌝)了都市青年(nián )林(🚪)青(➖)衣和梁晓(xiǎo )光感人至深的(de )爱情故(🍆)事(🖌)。
古(gǔ )代有一伙劫(🚃)富(fù )济贫平乱为(🐺)民(🌪)(mí(🐧)n )的正义强盗,与(😶)一伙无恶不(bú )作的(🥑)海(🏀)盗,共(gòng )同得知一条关(guān )于宝藏的(🎭)消(📜)息(xī ),但想找到宝(😀)藏必须(xū )要找到一(🏋)(yī(🚆) )位女(nǚ )孩,藏宝(bǎo )图与(yǔ )开启宝藏(📩)(cá(🦋)ng )大门(mén )的钥匙在(zài )女孩(hái )的手中(🐅),但(👴)女(🛥)(nǚ )孩在多年前(🚗)已(🥇)(yǐ )经消失在那个(📯)(gè(🆗) )世界,传闻是(shì )穿越到了另一(yī )个(🥖)时(🕓)代。
Nine no-budget horror/comedy shorts that explore themes of murder, death, revenge, self-mutilation, stalking, clones, hell, and weird squid babies.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
注目(mù )のミス(🌷)テリー作家・大(🧢)山(🦏)誠(🕊)(chéng )一郎原作「(🕚)赤(🏁)(chì )い博物館」の(🐇)ド(🐳)ラマ化第2弾(dàn )。松下由樹主(zhǔ )演で(🔕)犯(🌪)罪資料(liào )館緋色(🗝)冴子シリーズ『(🐈)赤(💽)い(🛃)博物館(guǎn )2』を放送する。
洛朗(Laurent)家(jiā(⌛) )是(🍧)一(yī )个富裕的(de )上层(céng )中产阶级(jí(⏹) )家(🏇)庭(🌿)(tíng )。80多岁的(de )老人(🚄)(ré(😊)n )乔治·洛(luò )朗(George Laurent)逐(㊙)(zhú(🏵) )渐陷入老年痴(chī )呆。他和两个(gè )已(📌)婚(🐸)的儿女托(tuō )马斯(🔞)(Thomas)和安妮(Anne)一(yī )起,正(🏙)不(💓)自(🔤)在(zài )地分享他(💘)在(🚞)加(jiā )莱(Calais)富丽堂皇(🦉)的(⚪)(de )庄园。离异而(ér )冷漠的安妮,不得不(🍛)承(🎦)受因(yīn )儿子皮埃(🤛)尔(Pierre)的(de )失职而导致(⭐)的(🔐)(de )灾(🦂)难性工作场(chǎ(🐸)ng )所事故的影响。与此(🌉)(cǐ(🐐) )同时,托马斯(sī )的前妻因(yīn )一场(chǎ(🌕)ng )神(👒)秘(🎮)的中(zhōng )毒而(é(🚙)r )被(🐯)紧急送(sòng )进医(yī(🐖) )院(🕹),导致(zhì )他13岁(suì )的郁郁寡(guǎ )欢的(de )女(🚹)儿(🥗)艾芙(Ève)与(yǔ )父亲(🐛)和他的新(xīn )婚妻(😧)子(🔏)安(🖇)娜伊(yī )思(Anais)生活(😝)在(🎴)一起(qǐ )。毫无疑问(💽),在(✔)这个家庭中(zhōng ),每个人都有(yǒu )不可(🎠)告(🤽)人的秘(mì )密,而随(💅)着洛(luò )朗家的命(🍆)运(📎)与(🦐)(yǔ )持续而不光(😪)彩(cǎi )的欲望交织在(🔏)(zà(🚎)i )一起,一种特(tè )殊而又令人不安的(💩)联(🔱)(lián )盟就会形成。但(🥇)最(👼)终,有些(xiē )更大的(📙)秘(🆕)(mì )密即(jí )将揭晓……
此(cǐ )片以在(💈)民(⛲)(mín )间广(guǎng )为流传的民国(guó )“鬼新娘(🚽)”故(🍄)(gù(🕟) )事为背景,讲(jiǎ(🧚)ng )述(🌝)了都市青年(nián )林(🚪)青(➖)衣和梁晓(xiǎo )光感人至深的(de )爱情故(🍆)事(🖌)。
古(gǔ )代有一伙劫(🚃)富(fù )济贫平乱为(🐺)民(🌪)(mí(🐧)n )的正义强盗,与(😶)一伙无恶不(bú )作的(🥑)海(🏀)盗,共(gòng )同得知一条关(guān )于宝藏的(🎭)消(📜)息(xī ),但想找到宝(😀)藏必须(xū )要找到一(🏋)(yī(🚆) )位女(nǚ )孩,藏宝(bǎo )图与(yǔ )开启宝藏(📩)(cá(🦋)ng )大门(mén )的钥匙在(zài )女孩(hái )的手中(🐅),但(👴)女(🛥)(nǚ )孩在多年前(🚗)已(🥇)(yǐ )经消失在那个(📯)(gè(🆗) )世界,传闻是(shì )穿越到了另一(yī )个(🥖)时(🕓)代。
Nine no-budget horror/comedy shorts that explore themes of murder, death, revenge, self-mutilation, stalking, clones, hell, and weird squid babies.
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.