这个名称(♊)古怪(💠)的小说出自艺术家、(🍜)作家莲妮·夏普顿(dù(🕴)n )（Leanne Shapton）(🤒)之(zhī )手，这(zhè )部虚(🕌)构(gò(➰)u )作品是(shì )以一份(✔)(fèn )拍(🌂)卖目(mù )录的形(xíng )式出(〰)现(xiàn )，夏普(pǔ )顿表示(shì(📤) )她的(🎵)灵(líng )感来自(zì )于(🥗)一些(🈴)(xiē )房地产(chǎn )宣传(🃏)册(cè(💶) )里的描(miáo )述方式(🧢)(shì )，因(🔡)为(wéi )它们通(tōng )常提示(🈷)(shì )着(🛎)上(💴)任(rèn )主人的(de )隐(🐽)晦生(🧕)(shēng )活。 暴力の街に(💚)朝は(🏩)来ない―。激動の(💭)大阪(🚶)裏社会を牛耳る喧嘩(🙌)屋集団・バトルファ(🛠)ミリ(😘)ー。金・権力・暴(🐓)力―(📨)。孤(gū )独な狼(láng )た(😛)ちは(💼)今宵も血に飢(jī )え、(🤐)力(lì )を求める― When a slippery Sydney film producer discovers he needs to attach a movie star to to finally make it big, he coerces his estranged father into a cross country road trip to find an elusive actor. 影(yǐ(💹)ng )片故(🚾)事(shì )由一次(cì )旅(♈)途展(💨)(zhǎn )开，七(qī )个互不(🕘)(bú )相(🔡)识的(de )人，冥(míng )冥之(🐈)中(zhō(⬆)ng )上了同(tóng )一辆车(chē )。在(🕞)车(chē(😗) )辆(😍)进入(rù )黑暗的(💌)(de )隧道(😊)后(hòu )，却永(yǒng )远开(🐃)不(bú(🐰) )到尽头(tóu )。经过多(❓)种尝(🔵)试，他们依然无法逃离(😰)。莫名出现的尸体，死而(🎨)复生(💏)的故人以及突如(🎉)其来(🍀)的凶杀接踵而至(🥩)。和这(🌩)没有尽(jìn )头的隧(suì )道(🔟)一样(yàng )恐怖的(de )，是每(mě(🈂)i )个人(🧕)在(zài )黑暗中(zhōng )逐(🌕)渐暴(💗)(bào )露的人(rén )性…(🌷)… 时(🧝)间是(shì )2025年。2020年(nián )被预定(🎟)(dìng )的东京(jīng )奥运会(huì(🤳) )由于(📢)大(❓)(dà )规模的(de )恐怖(🌚)袭(xí(🖇) )击而被(bèi )迫中止(🤞)(zhǐ )。主(👠)会(huì )场附近(jìn )的(⌚)湾岸(🤜)(àn )区域，由于目前被联(🥕)合国(📞)管辖而成为特别(💩)地域(🧦)，成为了治外法权(👷)控制(👛)的地域。 The movie is to combine a film noir-style investigation with an exploration of altered states of consciousness, focusing on the story of 50-year-old Otto Ganz, the owner of a thriving building and civil engineering company that operates worldwide. One day he has to travel to North Africa to deal with some urgent issues and there, Ganz is confronted with memories of his youth, which he had tried to forget for many years. What begins as an annual visit to their family grave-site quickly becomes a night of sheer terror as two brothers are unexpectedly forced to fight back against a sudden onslaught of violent assailants. Soon, eight complete strangers find themselves barricaded inside a rural farmhouse in an attempt to survive against the ever-growing army of murderous creatures outside. In the fall of 1960, Father Thomas Riley and Father John Thornton were sent by the Vatican to investigate a miraculous event in an Irish home for 'fallen women', only to uncover something much more horrific.