During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories. 藤冈(💏)(gāng )靛在(🏢)片中饰(🕦)演引发(🏞)奇(qí )迹(🎌)的正体(📊)不(bú )明的主人公拉乌，尽(jìn )管他的国籍(jí )与语言不明，但是温(wēn )暖的(🤝)笑容却(📴)(què )有种(🚱)不可思(🎵)议的力(🌄)量(liàng )，影(yǐng )片通(🗾)过(guò )超越国籍与宗教的年(nián )轻人(rén )们的友(yǒu )情，自然(📽)地反(fǎ(👷)n )应人们(👽)(men )的生(shē(🛤)ng )活。影(yǐ(🛒)ng )片全篇(🐊)外景在(⏹)(zài )印度尼(ní )西亚(yà )苏门答(dá )腊岛拍摄，用(yòng )时一个(gè(🐖) )月。 风度(👘)翩翩的(😑)医生动(😠)了(le )色心(🐁)，欲迷(mí(🌋) )晕少女但错手杀人，险被送上断(duàn )头台，以为逃出鬼门(mén )关，岂知魔(mó(🐢) )鬼已盯(⛅)上他。战(👇)争前(qiá(💃)n )夕，他被(📣)发(fā )配边疆，继(🐳)而被奥匈(xiōng )帝国(guó )将领重(chóng )用，沉迷研究麻药乙(yǐ )醚(🔡)。药物能(🌻)(néng )麻醉(🐼)止痛，亦(🚆)(yì )能制(📶)造(zào )不(🌊)知(zhī )痛(🏴)楚不(bú )懂畏惧的科学(xué )怪人。而他(tā )心底的(de )欲望，是想找(zhǎo )到(🖱)完全(quá(🥀)n )驾驭(yù(🅱) )他人灵(🦋)魂的方(🔲)法。赞(zàn )禄西继《色(sè )》（39 届）后再度审视(shì )传统道德防(fáng )线，两段式结(😯)构揭示(👖)(shì )妙手(🕒)狂医跟(🏬)(gēn )魔鬼(🏵)握手的浮士德(✋)心(xīn )路，亦检视(shì )法西斯之兴起，绝对(duì )的权(quán )力将令(😡)(lìng )人绝(🆘)对腐化(🐴)。 VS. is an urban rites of passage drama set in the hostile and exciting UK rap battle scene. 《驴为(wé(🍎)i )媒》故事(🤚)发(fā )生(🔮)在当下(⛰)鲁西大地上(shàng )的聊(liáo )城市，讲述的是在京(jīng )打拼多(duō )年的(de )有(🌎)志青(qī(🚳)ng )年，得知(🌡)老家(jiā(👳) )惠民政(😼)(zhèng )策后(hòu )，回乡养驴、带领村(cūn )民脱贫(pín )致富(fù )，实现自己创业梦，并(🏄)赢得爱(👄)情(qíng )的(🎡)故事;讲(🎵)述了党(💮)的精(jīng )准扶贫(👯)政策(cè )和乡村振兴战略在齐(qí )鲁大地的生(shēng )动实践(🔜)，展现了(🐠)基层(cé(👷)ng )党员(yuá(🥘)n )干部在(⚓)(zài )全面(🧀)建成小(🕙)康社会进(jìn )程中(zhōng )的“主(zhǔ )心骨”形象。电影《驴为(wéi )媒》坚(jiān )持“小(✝)成本、(🔡)大情怀(🔥)(huái )、正(🎌)(zhèng )能量(🗼)”的创作宗旨，紧扣当(dāng )前乡(xiāng )村振兴和精准扶贫主(zhǔ )题，将(jiāng )社会(huì(🔼) )效益、(🚀)价值引(🚒)领放在(🥕)(zài )首位(🐸)，引导(dǎo )人们努(➕)力实现个人前(qián )途与国家命(mìng )运、个体经历与时代(🐑)(dài )大潮(🌂)、个体(🙉)(tǐ )情感(🕛)与国家(🔈)情感的(🌓)同(tóng )频共(gòng )振，激(jī )励人们向上向善，自(zì )觉践(jiàn )行社会(huì )主义核心(🚹)价值观(🔓)，讴(ōu )歌(🥎)党(dǎng )、(👧)讴歌(gē(🆗) )人民、讴歌新(xīn )时代。 由于(yú )基因突(tū )变，两兄弟中(zhōng )，弟弟(dì )从小(xiǎ(🦇)o )体温异(🤱)于常人(😖)，拥有(yǒ(☕)u )着冰系(🐕)(xì )超能(néng )力，而(🏋)哥哥拥有的则(zé )是火系超能(néng )力，阴差阳错兄弟二(è(🦅)r )人被分(🍕)开。哥哥(🔶)被收养(🥁)他的日(🎅)本(běn )人(📥)培养成了(le )一个强大的杀手，同(tóng )时中国的一(yī )个神秘组织也在联系(📔)(xì )着弟(🚓)(dì )弟。哥(💌)(gē )哥受(📞)命劫持(🕉)了弟弟的(de )恋人(rén )，再次(cì )见面时两人成(chéng )为了敌(dí )人，大打出(chū )手之(🖼)间哥哥(🔜)认(rèn )出(♉)了弟(dì(🐹) )弟小(xiǎ(🖋)o )宇，经历了种种(🤛)，最(zuì )终两兄(xiōng )弟顺(shùn )利相认并联手打败了(le )敌人。 Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.